The Dragon Mosaic
Jun
3

The Dragon Mosaic

Tai chi master and mosaic artist Wasentha Young is profiled in "The Dragon Mosaic", a short documentary named after her flagship mosaic piece and tai chi school. Wasentha explores what brought her into the worlds of mosaic art and tai chi while reflecting on the charms and challenges of her journey so far.

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Piñata People
Jun
3

Piñata People

Piñata People is a short documentary by South Texas filmmaker Charlie Vela. It explores the work of artist and activist Josué Ramírez. Josué deconstructs and reimagines one of The Rio Grande Valley’s most ubiquitous cultural objects: the piñata through craft and movement. He asks us to not only question how these totems come to us historically and emotionally, but also challenges us to imagine new cultural futures for these ephemeral sculptures.

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El Arroyo Seco
Jun
3

El Arroyo Seco

16mm & 8mm transferred to digital.

The San Gabriel Mountains lie Northeast of Los Angeles and create the base of what is known as the Angeles National Forest. An area rich in geological wonder, the mountains contain waterways that flow downwards into the cities below. One of the most influential waterways is the Arroyo Seco, which flows from the foothills of Altadena through Pasadena, Eagle Rock, Highland Park and finally, feeding into the Los Angeles River at a confluence at Avenue 19 and Riverside This film is a landscape meditation on the Arroyo Seco and the water that runs through it. The space where rock meets flow / rigidity and fluidity / rippling past our current era / carrying the shapes of many others / before our own.

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Nothing Lower than I
Jun
3

Nothing Lower than I

Xandra Ibarra animates the figure of the zombie with text from Slave Sonnets (1984), a the poetry book written by artist and "super masochist" Bob Flanagan.* The short multi-channel video features a trio of zombies that carry flowers, express their condition of “bottomhood” in their own tongue, and maintain a slow togetherness on the sunny seaside cliffs of the Marin Headlands.

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